so i'm looking for the little pleasures right now.
I'm a guy since he was six used to staying up until 2 in the morning. So i start my new post office job in the morning. there's just a ridiculous sense of workmanship and constructed wonder in it. it's easily the most impressive original page i've seen and held. white-out water bubbles, cross-hatching which practically rises off the page in perfectly placed waves, immense detail and care to provide light and shadow, form and movement. the original, which this is a shot of, is sick.
#Blue water drift david herpich full
when i can i'll post the finished pages, in full color, but for now here's a look at a finished page some people might have seen before. to answer jamal's question, stuff i'm posting from my story with art, 'seven seas', is before nick bradshaw provided finishes over it. my wife leaves her stuff all over, her creams and potions on the desk, her shoes upstairs, her candies and math books all around.her mirror on top of my art adams originals.such is life. mine is bare and underway, i'm still getting used to not being poor. always interesting to see other folks enviroments. There's a 'post your workspace' thread going on here that i enjoyed and posted in. very alive and full of making-music and spirit. and there's no validity in the 'what if it was done by someone unknown named blank-blank-blank.' if it was it wouldn't be matt wagner, for better or worse. it 'explained', effortlessly, a batman book. to be honest, i dig the cover in question. so is he hacking it? i'm biased here, i give guys like wagner, who've done great things but still need to be men who make a living, i give guys like him slack. well, i bet it's safe to say he isn't putting his all into those covers and that he's making a fair piece more for them than the $700 or $800 someone mentioned. accused of hacking it out for dc on batman. Grendel, or ted wing the impressionist, moody, super-hero challenging grendel, as talented as anyone, as a young billy the sink, deep as anyone, but seemingly stuck in neutral in terms of advancing in the comics game.Īnd matt wagner, a master. I've just been commenting on threads here at dw about two different artists: so i'll post everyday and try not to be too thin-skinned or thick-headed, and just talk about creating comics and getting by.
i tried doing this on a blog, on other boards, but somehow here feels best. i miss being an active part of this place. regret and wonder usually mingle, or at least i tell myself so. we talked about nick bradshaw coming in and finishing up our story, about how intimidated arthur was years ago coming in to finish up a kaluta story, about how different styles sometimes make for the best work. That's me, my wife merrily snapping away as i realize, reading through email, how much farther i have to go.but i just got off the phone with art adams and now i'm a little bit closer. i apologize beforehand for any elements of self-promotion but it's hard to seperate the work from the work, if you know what i mean. i ran this by dj a month or so ago and he thought it was ok, a running journal here in the creator community. this is about comics and creating them and the life you live while doing so. With out a lot of introduction i thought i'd just jump into things.